Straight from the Camera competition, 21 January.
There was a good turnout for this competition even though we were forced to change to day from Monday to Tuesday. This competition was initiated in the early days of digital photography, when established film photographers thought that digital manipulation would dilute the skill required to get the image right in the camera. No manipulation is allowed, except cropping, which reflects standard film techniques
Seventeen members contributed a total of 79 images, and the task of marking them fell to WDPS long-time member, Bill Buck. Bill was able to comment on each image on measures he thought would improve them within the rules of the competition, so obviously this always involved more subtle cropping.
Eventually Bill decided that “I am a music man” by Paul Richardson was the best image, with ”V-Power”, by Reg Whitam, and “Got a Light” by Les flower close behind.
I am a Music Man, by Paul Richardson
V-Power by Reg Whitman.
13 December, Nature in Focus, by Tony Pioli.
On Monday, 13 January we had a very impressive talk by Tony Pioli, FRPS, FPAGB called “Nature in Focus” This talk was entirely on slides and reminded us of the depth of colour that slides can bring. Toni’s skill is not only taking the photographs – remember that with slides you do not get as many chances to get a good photograph as with digital, when you can take hundreds in a matter of a few minutes without hurting the pocket book.- but also finding the location of rare animals, birds, fungi, flowers and insects. A truly remarkable set of memorable images. In fact, probably too many. Overwhelming.
January 2020, Simon Roberts, “Mostly Bearing North”..
For the first meeting of the new decade, Simon Roberts, a WDPS member gave an illustrated talk that he had punnishly called “Mostly Bearing North”. Yes, there were plenty of images of bears and it was mostly in the cold and frozen north. However, other wild life, arctic foxes, snowy owls for example made an interesting contribution.
Images of polar bears were probably the most interesting because this species requires the most determination from photographers, and is the most dangerous weighing in at up to 700kg. The expedition requires an ice-breaker, smaller boats designed for operating in ice strewn oceans, and an armed guard for emergencies. As with all bears there are regulations to limit approach and feeding designed to prevent the bears becoming dependant on humans.
Images of brown bears feeding on salmon might be the easiest, since the location and timing of the feeding can be predicted. However, as with much wild-life photography, the quality depends on the patience and perseverance of the photographer. Simon has shown us what can be achieved. A truly exceptional presentation.
2nd December, Second Themed Competition.
On Monday, 2nd December the WDPS held its second themed competition. The theme was “Weather” and this attracted a wide range of entries, from storm scenes to tranquil gentle landscapes. We have “weather” all the time. The judge was Sam Chaloner who gave comments and a mark for each image. The standard was so high that he gave four first place, two seconds and three thirds. All these images can be seen on the Gallery section of this website.. The first four are shown below
Phil Chadwick DPAGB AFIAP AWPF BPE5. 2nd December.
In a return visit Phil Chadwick gave a talk titled “My journey to 5 Crowns”. The 5 Crowns in this title refer to the level – the highest - that Phil has achieved in the British Photographic Exhibitions awards. He explained that points are awarded at affiliated National Exhibitions, and when you get to a total of 300 points, the 5 Crowns level is achieved. This gave a reason for Phil to show us many of his accepted and excellent images.
He also explained how many had been improved in post-production manipulation by changing the background, adding parts of other images or changing the colours. One “manipulation” new to me was to slightly increase the size of eyes in a portrait to give greater impact. The camera never lies, but I am not so sure about the final image.
Nerveless, a cascade of wonderful images, and we all know a few more tricks. Thank you, Phil.
More information on BPE awards from their web-site http://www.britishphotographicexhibitions.org.uk
Judith Angel on Magical Myanmar.
On Monday, 25 November Judith Angel gave an illustrated talk on Magical Myanmar, sub-titled, on account of the name variation, Beautiful Burma.
Her images centred on the main cities and the River Irrawaddy and showed both the richness of the various temples and shrines and the relative poverty of the suburbs and agricultural areas. The Buddhist Shrine of the Shwedagon Pagoda in Yangon, formerly Rangoon, is particularly impassive, although Judith regretted missing images at either sunrise or sunset. Images of the people, particularly children emphasized the importance of religion in everyday life. It was a very interesting talk..
The NWPA PDI competition, 16 Novemebr 2019.
I am pleased to be able to report that the Wrexham & district Photographic Society came second in the Annual PDI competition held by the North Wales Photographic Association . Fourteen clubs entered; Mold came first with 96 points and WDPS had 94. There were 5 clubs with over 90 points, so it was a close competition. As a result of this success we are invited to represent the NWPA at the PAGB Annual inter Federation PDI competition in Warwick next summer..
The Annual Quadrilateral Competition..
This competition is held with one representative photographic club for each of England, Scotland, Wales and Northern Ireland. The respective clubs were Corby, Hamilton, Wrexham and Ards.
The PDIs from each club were viewed at each CLUB, AND JUDGES BY AN EXTERNAL JUDGE. The aggregates were then compared to arrive at an overall winner.
The results show Ards Camera Club overall winner with 1045 points, Hamilton Camera Club was second with 1007 points. Wrexham and District Photographic Society had 1005 points, and Corby Photographic Club had 960.
Comparisons of the points given to each image by the four judges showed some surprising variations. One judge might give an image top marks (20) but the same image scoring lowly by other judges. However, in other cases all the judges agreed. This shows how subjective judging can be.
First Internal Competition. 4 November 2019
Last Monday, 4th November we had our First Open Internal competition. The judge was Phil Chadwick, DPAGB AFIAP AWPF BPE*4. There was a fairly modest entry with 17 entries into the Mono Print section and 22 into the colour print section. The PDI section attracted 11 novice and 32 advanced entries.
The judge commentated on each entry, explaining what he liked, what distracted from the image, and what might be done to improve it. Improvements – occasionally advice on taking the images at a different time of day, but usually improvements that could be done by software. These included a slight vignette, to take the eye to the centre of the image, or a slight reddening to improve the colours of autumn landscapes.
The complete display of the placed images are given in the Gallery section of this web-site. The winner of the Mono Prints was George Griffiths with “Number 22”, of the Colour Prints was John Hallard with “Bonnets”. The winner of the Novice PDI was Paul Shone with “I’ll Shoot” and of the advanced PDI was Gwilym Jones with “Plas Power Weir”. Congratulations to all. .
Winning Image of Colour Print Section
"Bonnets" by John Hallard Image, .
Mike Blackburn on “Snowdon through the Seasons” 28 October 2019
Last Monday, 28 October we had an interesting and instructive talk from Mike Blackburn. Mike had been a surveyor for the Ordnance Survey for many years, so had visited many countries during his career. However he still regarded Snowdonia National Park as the prime area for landscape, history and flora and fauna, so his photographs were taken with both a professional and hobby interest. Strikingly, all his images were on film slides even though he has gone digital. Viewing slides was itself an education. The colours were rich but lacked some of the sophistication of digital (i.e., cloning distracting bits out).
Mike also brought some one metre square prints from aerial photographs of the district to show the detail that could be seen in both colour and monochrome images.
His main message was that we had Snowdonia on our doorstep, and we should never miss the opportunity to visit and photograph. Gardens, hillsides, rocks, lakes, forests, quarries and so on all present opportunities.
TABLE-TOP EVENING, 21 October
Last Monday, 21 October we had a popular “Table-Top” meeting where our members were invited to bring their cameras and accessories to photograph a number of dioramas. There were 5 of these, the most popular one depicting objects on a “Hallowe’en” theme. There was also a portrait opportunity with a witch.
Image, by Eddie Naish.
Table-top evening Portrait of the Witch, by Paul Shone.
Table-top evening Hallowe'en Mask by Adam Crump.
First “7 October, talk by Terry Hewitt”
On Monday 7 October we had a talk from Terry Hewitt titled “Know your Camera, Know your Photograph”
Terry recognises that cameras are becoming increasingly more capable, but this advance is mirrored by increased complexity. The modern DSLR has many more features than most photographer use or even need. He didn’t advise reading the complete instruction booklet since this will extend to well over 100 pages, but to be selective and decide which features the photographer is likely to use.
His first recommendation was to decide on those variables which only need to be changed rarely. Obviously these include date and time, RAW and/or JPEG, file names and format, image number sequence and so on. Factors such as White Balance, Focussing mode, Bracketing, will only need to be changed for special circumstances. However, the photographer should become very familiar with the adjustments of aperture setting, exposure time and sensitivity since these may need to be changed when shooting images – and may need to be changed quickly. Even relatively simple “travel” cameras have all these adjustments.
Terry handed out a simple exposure calculator and a (tongue in cheek) list of 40 questions to be asked before taking. The final question is “Have I just missed a great shot, because I was too concerned with setting the camera?” Point and Shoot, then worry about camera conditions for the second shot.
See http://digital-photgraphy-school.com for the 40 questions.
First “Themed” PDI Competition, STREET PHOTOGRAPHS”
Last Monday, 30 September we had our first competition of the year. This was a “Themed” PDI competition with the subject of “Street Photography”. The Judge was Robert Millin MFIAP, FBPE, EFIAP/p, MPSA, SPSA, DPAGB of the Wigan 10 Club.
There were 49 entries covering a wide range of subjects. The definition of Street Photography had not been given so some images may, in other competitions, been outside the specification. However, Robert went through the images thoroughly, giving opinions on the quality and story of each. Of the 49, 17 were held back for further review but eventually he decided on the top three. The winner was a shot of a complex traffic jam in Delhi taken by Gwilym Jones. The three placed images can be found in the Gallery section of this website.
What did we learn of Street Photography? The story is important and the background should not distract from this. Often there is too much background or inconsequential sky. Monochrome often works but this should not lose detail.
Storyline - Street photo of two paving slabs. Slab 1 – I feel downtrodden, Slab 2, Better than being uplifted..
Next week we have a talk by Terry Hewitt on “Knowing your Camera, Knowing your Photography”. As cameras get increasingly complex understanding what they can do is getting more difficult. Or do you use your expensive DSLR as a point and shoot box?
Getting Nowhere Fast, by Gwilym Jones.
Ian Whiston, 2 Sept 2019
The new Season started with an inspiring presentation by Ian Whiston, DPAGB, EFIAP, BPE5*, who showed many images from his frequent expeditions to East Africa National Parks. The images were better presented than the commentary, but nevertheless showed the life of the animals and birds – and the explorers. The most striking pictures were those illustrating the Wildebeest Migration. He also gave some technical information behind his photography, fo example, working with aperture priority.
NEW SEASON 2019-2020
The new season starts on Monday 2nd September at 7.30 for 8 in the Wrexham Rail Sports and Social Club.
The speaker will be Ian Whiston, DPAGB, EFIAP, BPE5* of the Crewe photographic Society speaking on Kenya’s National Parks. Ian has made 14 expeditions photographic in various National Parks and the quality of his work reflects his enthusiasm and his experience. An evening not to be missed. Please come and bring a friend. New members welcome – you will see the level of expertise available through the Wrexham and District Photographic Society.
The Facebook summer sompetition continues to attrach considerable interest. The subject “Flowers” brought in 79 entries, Letteres brought in 26, numbers 26, Teeth, 42. Welsh Landscapes, not surprisingly, has attracted thelargest entry to date, 84. Keep an eye on this at the WDPS Facebook site.