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First Internal Competition. 4 November 2019


Last Monday, 4th November we had our First Open Internal competition. The judge was Phil Chadwick, DPAGB AFIAP AWPF BPE*4. There was a fairly modest entry with 17 entries into the Mono Print section and 22 into the colour print section. The PDI section attracted 11 novice and 32 advanced entries.
The judge commentated on each entry, explaining what he liked, what distracted from the image, and what might be done to improve it. Improvements – occasionally advice on taking the images at a different time of day, but usually improvements that could be done by software. These included a slight vignette, to take the eye to the centre of the image, or a slight reddening to improve the colours of autumn landscapes.
The complete display of the placed images are given in the Gallery section of this web-site. The winner of the Mono Prints was George Griffiths with “Number 22”, of the Colour Prints was John Hallard with “Bonnets”. The winner of the Novice PDI was Paul Shone with “I’ll Shoot” and of the advanced PDI was Gwilym Jones with “Plas Power Weir”. Congratulations to all. .

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Bonnets
 

Winning Image of Colour Print Section
"Bonnets" by John Hallard Image, .



Mike Blackburn on “Snowdon through the Seasons” 28 October 2019


Last Monday, 28 October we had an interesting and instructive talk from Mike Blackburn. Mike had been a surveyor for the Ordnance Survey for many years, so had visited many countries during his career. However he still regarded Snowdonia National Park as the prime area for landscape, history and flora and fauna, so his photographs were taken with both a professional and hobby interest. Strikingly, all his images were on film slides even though he has gone digital. Viewing slides was itself an education. The colours were rich but lacked some of the sophistication of digital (i.e., cloning distracting bits out).
Mike also brought some one metre square prints from aerial photographs of the district to show the detail that could be seen in both colour and monochrome images.
His main message was that we had Snowdonia on our doorstep, and we should never miss the opportunity to visit and photograph. Gardens, hillsides, rocks, lakes, forests, quarries and so on all present opportunities.

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TABLE-TOP EVENING, 21 October


Last Monday, 21 October we had a popular “Table-Top” meeting where our members were invited to bring their cameras and accessories to photograph a number of dioramas. There were 5 of these, the most popular one depicting objects on a “Hallowe’en” theme. There was also a portrait opportunity with a witch.

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Table-Top Image 21-10-19
 


Image, by Eddie Naish.



Witch from Table-Top evening.
 


Table-top evening Portrait of the Witch, by Paul Shone.


Hallowe'en Mask
 


Table-top evening Hallowe'en Mask by Adam Crump.



First “7 October, talk by Terry Hewitt”


On Monday 7 October we had a talk from Terry Hewitt titled “Know your Camera, Know your Photograph”


Terry recognises that cameras are becoming increasingly more capable, but this advance is mirrored by increased complexity. The modern DSLR has many more features than most photographer use or even need. He didn’t advise reading the complete instruction booklet since this will extend to well over 100 pages, but to be selective and decide which features the photographer is likely to use.


His first recommendation was to decide on those variables which only need to be changed rarely. Obviously these include date and time, RAW and/or JPEG, file names and format, image number sequence and so on. Factors such as White Balance, Focussing mode, Bracketing, will only need to be changed for special circumstances. However, the photographer should become very familiar with the adjustments of aperture setting, exposure time and sensitivity since these may need to be changed when shooting images – and may need to be changed quickly. Even relatively simple “travel” cameras have all these adjustments.


Terry handed out a simple exposure calculator and a (tongue in cheek) list of 40 questions to be asked before taking. The final question is “Have I just missed a great shot, because I was too concerned with setting the camera?” Point and Shoot, then worry about camera conditions for the second shot.


See http://digital-photgraphy-school.com for the 40 questions.

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First “Themed” PDI Competition, STREET PHOTOGRAPHS”


Last Monday, 30 September we had our first competition of the year. This was a “Themed” PDI competition with the subject of “Street Photography”. The Judge was Robert Millin MFIAP, FBPE, EFIAP/p, MPSA, SPSA, DPAGB of the Wigan 10 Club.


There were 49 entries covering a wide range of subjects. The definition of Street Photography had not been given so some images may, in other competitions, been outside the specification. However, Robert went through the images thoroughly, giving opinions on the quality and story of each. Of the 49, 17 were held back for further review but eventually he decided on the top three. The winner was a shot of a complex traffic jam in Delhi taken by Gwilym Jones. The three placed images can be found in the Gallery section of this website.


What did we learn of Street Photography? The story is important and the background should not distract from this. Often there is too much background or inconsequential sky. Monochrome often works but this should not lose detail.


Storyline - Street photo of two paving slabs. Slab 1 – I feel downtrodden, Slab 2, Better than being uplifted..


Next week we have a talk by Terry Hewitt on “Knowing your Camera, Knowing your Photography”. As cameras get increasingly complex understanding what they can do is getting more difficult. Or do you use your expensive DSLR as a point and shoot box?

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"Getting Nowever Fast"
 


Getting Nowhere Fast, by Gwilym Jones.




Ian Whiston, 2 Sept 2019


The new Season started with an inspiring presentation by Ian Whiston, DPAGB, EFIAP, BPE5*, who showed many images from his frequent expeditions to East Africa National Parks. The images were better presented than the commentary, but nevertheless showed the life of the animals and birds – and the explorers. The most striking pictures were those illustrating the Wildebeest Migration. He also gave some technical information behind his photography, fo example, working with aperture priority.



Ian Whiston
 




NEW SEASON 2019-2020


The new season starts on Monday 2nd September at 7.30 for 8 in the Wrexham Rail Sports and Social Club.


The speaker will be Ian Whiston, DPAGB, EFIAP, BPE5* of the Crewe photographic Society speaking on Kenya’s National Parks. Ian has made 14 expeditions photographic in various National Parks and the quality of his work reflects his enthusiasm and his experience. An evening not to be missed. Please come and bring a friend. New members welcome – you will see the level of expertise available through the Wrexham and District Photographic Society.


The Facebook summer sompetition continues to attrach considerable interest. The subject “Flowers” brought in 79 entries, Letteres brought in 26, numbers 26, Teeth, 42. Welsh Landscapes, not surprisingly, has attracted thelargest entry to date, 84. Keep an eye on this at the WDPS Facebook site.